Live Production
RTVE folds UHD satellite contribution into redundant 1RU chains
Three transportable units combine encoding, DVB-S2X modulation, demodulation and IRD functions while keeping transmit and receive paths redundant.
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Live Production
Reporting and technical context from this part of the broadcast stack.
Live Production
Live Production
Rock in Rio links four wireless intercom cores to TV Globo
Arcadia, FreeSpeak and Dante joined festival production areas with the broadcaster’s Eclipse matrix across a dedicated network.
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Live Production
Matrox ORIGIN links edge, facility and cloud through MXL
The software-defined framework combines production services, open APIs and an MXL-compatible media fabric on commercial off-the-shelf infrastructure.
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Live Production
On Air 2026 builds a five-channel 24-hour student broadcast
Students across six continents will produce culture, news, sport, film and children's channels while filling editorial and technical roles.
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Live Production
RoutePilot One collapses live systems into one orchestrated platform
Timeline describes a system that can operate as an onsite OB unit, remote-production platform or automated broadcast centre.
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Live Production
Esports World Cup links 300 cameras and 341 wireless intercom packs
A temporary Riedel network connected eight stages, 35 language services, five Artist-1024 frames and 140 MicroN UHD nodes in Paris.
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Live Production
AI camera automation delivers a Supercup tactical feed
Studio Automated ran locally on standard hardware and drove an Egripment HotHead 3 for a live international feed from Signal Iduna Park.
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Live Production
World Cup mixes ST 2110 and JPEG XS across 16 venues
HBS sent UHD HDR stadium feeds to Dallas, centralized core operations and used JPEG XS where 100Gb redundant paths could not carry every camera uncompressed.
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Live Production
Bantaray carries four sports cameras over one tactical fibre run
A portable booth kit, 24 AJA FiDO converters and 1,000-foot reels let a small crew place its truck around difficult venues without extending copper SDI.
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Live Production
ISL plans 13-metre-per-second rail cameras for its London relaunch
Gravity Media will combine underwater views, robotic minicams, stabilised 8K-ready systems and optional AR data for the two-hour All-Star Match.
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Live Production
ELP tour blends live PTZ coverage with archival performers on LED walls
Marshall cameras capture Carl Palmer and the stage while synchronized archive footage places Keith Emerson and Greg Lake back into the performance.
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Live Production
Netflix reality show centralises 80 Sony robotic cameras in one MCR
Seven hot-head operators and two CCU positions controlled 50 BRC-AM7 and 30 full-frame FR7 cameras distributed through complex sets.
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Live Production
Hybrid live production shifts the bottleneck from transport to orchestration
Vendors report that standardized media paths now expose harder questions around workload placement, service lifecycle, monitoring and operator attention.
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Live Production
HBS keeps primary and backup cloud producers live across 104 matches
Match Buddy assembled camera mosaics, team views, statistics and partner branding through APIs for five media partners across 16 venues.
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Live Production
SABC starts 11-studio IP migration with 14 Ikegami cameras
The first four studios will operate the cameras over SDI before base stations and an Evertz ST 2110 core support a gradual move to media-over-IP.
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Live Production
Vislink DOME gives live cameras a dedicated private 5G cell
The system is intended to keep body-worn, roaming and broadcast cameras off congested public mobile networks while preserving managed coverage at a venue.
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Live Production
Ross RiO Replay spans SDI and ST 2110 in one software platform
The multi-channel system is designed to scale replay capacity without locking operators to one facility transport or a fixed hardware architecture.
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Live Production
Telefónica sends 4K camera contribution over 1.8Gbps 5G mmWave
A Sony HXC-FZ90, CBK-RPU7 HEVC encoder, PDT-FP1 transmitter and NXL-ME80 decoder formed the live path at Movistar Arena.
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Live Production
AMP VISUAL TV extends distributed production across trucks and flypacks
The French provider now operates more than 350 MediorNet units, over 20 Artist nodes, 550 Bolero beltpacks and 15 SimplyLive servers.
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Live Production
Wonka reality show puts 80 Sony PTZ cameras under nine control positions
Fifty BRC-AM7 units covered the living area while 30 full-frame FR7 cameras worked across challenge sets, all feeding a central master-control room.
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Live Production
National Lottery studio re-themes one LED set across six live nights
A purpose-built BBC Television Centre facility uses a flexible camera-facing LED backdrop to move between different game identities without rebuilding the physical set.
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Live Production
ARRI Omnibar moves a weather-rated pixel bar between light and picture
Independent zones, magnetic optics and battery operation let the same linear fixture work as illumination, an in-frame practical or part of a larger installation.
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Live Production
Measured LUT workflow pulls 24 projectors toward one LED wall
A live-event calibration chain combined Calman, Livegrade, reference meters and ColorBox to reach under 2 dE2000 on main projectors and about 3 on delays.
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Live Production
PODCAST EXPO records 24 sessions through two parallel ISO workflows
Each conference area used an ATEM Mini Extreme ISO G2, HyperDeck and three cameras so roughly 24 hours of programme material could move online quickly.
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Live Production
COMMANDER puts mixed camera robotics behind one control surface
The platform targets real sets where a camera, lens, remote head, dolly and controller often come from different suppliers and must still behave as one rig.
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Live Production
Four battery-powered projectors map the Bayeux Tapestry onto Dover
Two double-stacked Panasonic RQ35K pairs delivered the one-night projection where access, crew size, installation time and the absence of mains power constrained the design.
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Live Production
Canon moves live volumetric reconstruction away from the arena
IOWN APN links capture in Aichi, 3D generation in Kawasaki and mixed-reality viewing in Tokyo, separating three stages of the live spatial-video chain.
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Live Production
GeminiLED fits two independent LED faces into a 27mm body
The dual-sided display supports 1.5-to-2.5mm pixel pitches, 1,500-nit output and 7,680Hz refresh in horizontal or vertical installations.
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Live Production
IMG carried 124 Open Championship feeds into a remote production hub
The 154th Open used dual 10Gbps site circuits, diverse 100Gbps London routes, mixed codecs and layered disaster recovery to make Stockley Park operate like an on-site truck.
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Live Production
Buttons 1.8 hides router paths behind source-to-destination actions
The update can find paths through routers and tie-lines, manage multicast addressing and carry operator controls between panels through identity.
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Live Production
Brainstorm Suite 7 combines AI talent tracking with native Gaussian splats
The shared eStudio engine now generates keying and interaction data without a green screen while rendering photograph-derived 3D scenes on dual-GPU workstations.
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Live Production
StudioPro turns a school control room into one repeatable live workflow
A three-camera studio, 30-foot LED wall and Proton panel let students finish news, podcasts and class projects during recording rather than in long post sessions.
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Live Production
Disclosure Day turns ten LED surfaces into an on-set story interface
A command-centre set used four Disguise VX 4+ servers, ten Brompton processors and script-linked timelines to drive live narrative graphics around the actors.
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Live Production
RØDECaster Video 1.4 turns every 4K input into an NDI feed
A dedicated capture mode records isolated UHD tracks and exposes each HDMI source as a separately routed NDI HX output.
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Live Production
RAI begins a multi-year shift to native-IP LDX 150 cameras
The Italian public broadcaster has deployed the first systems in OB units, pairing HDR acquisition with a camera platform designed for IP production.
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Live Production
Sphere makes Disguise its development partner for future venue playback
The companies will jointly develop video technologies and workflows, with Sphere becoming the first partner to bring Disguise’s next generation to market.
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Live Production
Monarch Edge carries a three-city REMI chain over 5G and SRT
The demonstration bonded cellular contribution from Newfoundland to Toronto before forwarding the produced programme across Matrox’s SRT network to Amsterdam.
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Live Production
Amagi Studio puts 110 uncompressed inputs behind cloud control
The pilot combines sub-frame synchronisation, switching, audio, graphics, replay, intercom, tally and monitoring in a software production environment.
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Live Production
TVU Pocket bonds four links from a phone-sized field camera
The vivo-based device combines dual active SIMs, dual Wi-Fi, 4K capture and TVU contribution tools in a compact mobile-news package.
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Live Production
TV+ builds a compact Blackmagic studio around its existing plant
The Chilean broadcaster adds four URSA Broadcast G2 chains, ATEM switching, camera control, routing and standards conversion through one integrator.
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Live Production
Mo-Sys turns its London base into a working virtual-production theatre
The three-storey Canada Water facility combines product development with LED stages, robotics, augmented reality, live streaming and multi-camera production.
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Live Production
CNN puts ceiling-track cameras above an on-air newsroom in Doha
The CNN Creators hub combines studio, newsroom and production centre in one flexible space built for both vertical live streams and linear television.
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Live Production
MXGP Australia sends a 14-camera OB production to 100 territories
Gravity Media combines an onsite studio, EVS replay, satellite uplink and international platform delivery for the championship finale in Darwin.
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Live Production
Beauty Box 6 extends tracked skin masks to eyes and teeth
Digital Anarchy adds fast whitening controls to a GPU-accelerated retouching plug-in that already isolates skin and shine across moving footage.
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Live Production
Rio XL raises one replay server to 16 cameras and eight outputs
Ross expands its replay platform in a 3RU chassis for higher-capacity HD, UHD and super-slow-motion sports production.
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Live Production
IBC shifts seven session locations to remote PTZ production
Conference recordings move from Amsterdam to editors in Prague while the on-site team concentrates on live, unscripted and breaking coverage.
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Live Production
LA28 scale pushes Olympic broadcasting deeper into cloud and AI
OBS expects more than 14,000 hours of content across 36 sports and says traditional production models cannot meet the intended global output.
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Live Production
EIZO CG3200X gives HDR graders two ways to manage OLED dimming
A redesigned automatic brightness limiter can dim the whole picture or only highlights, while Safe View reduces image size to prevent activation.
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Live Production
Touring Video moves remote I/O through lightweight multiplexed fibre
Portable MediorNet frames distribute 24-path 3G-SDI, reference, MADI and Ethernet connections while hi centralises routing control across trucks.
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Live Production
Riedel packs 341 wireless intercom beltpacks into one esports venue
Five Artist frames, 79 antennas and continuous RF scanning supported eight stages, while the largest temporary MicroN UHD network moved over 300 cameras.
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Live Production
Easy5G carries live race cameras over a privately operated 5G cell
Mediacom deployed the Riedel network within minutes for two HD feeds at La Vuelta's Monaco departure, avoiding public 5G, Wi-Fi and temporary cabling.
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Live Production
Aputure tunes a 3,200-watt LED source across the full colour spectrum
STORM CS32 combines a BLAIR-CG engine, 1,800K-20,000K white range, extended red and wired or wireless control in an IP65 head.
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Live Production
Motorized Precision EVA brings repeatable robot moves to lightweight cameras
The 11 kg motion-control arm carries smartphones, action cameras and compact mirrorless rigs up to 2 kg, with a 500 mm reach and stated ±0.05 mm repeatability.
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Live Production
Falcon Live turns browser guests into broadcast-ready, independently routed sources
We Are Falcon's newest product combines one-link browser access with an operator lobby, Falcon Operations bookings, SMS reminders, independent SDI and NDI outputs, programme return and multi-server control.
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Live Production
LiveU bundles Starlink and cellular bonding in one field plan
Hybrid Data gives LU300S, LU800 and LU900Q crews managed access to cellular and satellite broadband with one invoice and support path.
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Live Production
Bolt 7 carries camera control beside zero-delay 4K video
Teradek has paired its 5GHz or 6GHz video transport with a dedicated 900MHz data radio, reducing the need for separate Wi-Fi control links on set and in OB workflows.
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Live Production
Vizrt adds AI keying, HDR replay and browser control across TriCaster
The refreshed portfolio combines a Vizion AI and AR add-on, new 2RU production systems, 10-bit HDR replay and a browser interface spanning switching, audio and automation.
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Live Production
EVS XT-S runs replay and UHD zoom on one software-defined platform
The new LiveCeption server lets production teams deploy applications according to each job rather than fixing the chassis to a single operational role.
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Live Production
AVORA saves a complete live show as one repeatable production
Grass Valley's standalone system packages production roles around a reusable show, with browser interfaces and built-in contribution, talkback and mix-minus.
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Live Production
Appear X5 takes resilient HEVC golf contribution into a portable chassis
The platform combines SDI and IP integration with ST 2022-7, SRT and IP-FEC for space- and power-constrained remote production.
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Live Production
Autoscript lets a presenter pace WinPlus-IP prompting by voice
Voice Controller removes the need for a hand or foot control and brings speech-following prompt movement into existing IP-based studio workflows.
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Live Production
Haivision contribution feeds Chyron LIVE production directly in AWS
Mobile transmitters and Makito encoders can deliver field feeds into Chyron's cloud-native switching, graphics, replay and commentary platform.
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Live Production
OSEE records eight isolated feeds inside a 12-source compact switcher
GoStream Omni 12 ISO mixes SDI, HDMI, NDI HX, SRT, RTMP and USB sources while recording the programme and eight 1080p60 inputs.
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Live Production
Promptergo puts the teleprompter computer and controller into one console
The Speech Console accepts scripts by QR code or USB, drives HDMI prompting and can be paired with a backup unit for live-production resilience.
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Live Production
ESPN Studio W synchronises multiple cameras across 148 million LED pixels
The rebuilt 8,900-square-foot space combines tracked real-time environments, display automation and ESPN's first Bristol production path capable of 1080p HDR and UHD.
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Live Production
DMC mobile edge truck runs AMPP production on two servers and 100Mbps connectivity
Broadcast Solutions has integrated a compact outside-broadcast architecture that carries local processing while extending DMC production centres over readily available bandwidth.
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Live Production
Haivision adds three-modem bonded 5G to Makito ONE contribution
CellLink 5G connects over Ethernet and lets the dual-channel 4K encoder combine wired and cellular paths for field, vehicle and temporary-site contribution.
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Live Production
Panasonic adds 12-bus KAIROS panels and automated camera colour matching
New 40- and 30-crosspoint surfaces extend KAIROS control while Image Adjust Pro uses a reference camera to align compatible Panasonic cameras across a production.
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Live Production
Targa Newfoundland livestream combines bonded cellular, LEO and private 5G
A multi-partner workflow will carry rally cameras and emergency communications from remote coastal roads into a distributed live production shown at IBC2026.
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Live Production
Timeline unifies compact live production and talkback in RoutePilot One
The managed platform combines ATEM and Yamaha hardware with rundown automation, replay, graphics, routing and role-based communications for onsite or remote work.
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Live Production
Neutral Wireless private 5G carries monowheel cameras into athletics world feed
Four LU800-equipped camera operators sent 20Mbps 1080i50 feeds over a dedicated network spanning a city-centre race-walk course.
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Live Production
RED routes 8K spherical live cameras into an immersive boxing workflow
The end-to-end demonstration combines fibre-connected cinema cameras, conventional broadcast control and headset delivery around a live boxing-ring setup.
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Live Production
Aragón TV runs NDI and SRT simultaneously from outdoor BirdDog PTZ cameras
The Spanish broadcaster added weather-ready O4 cameras to an OB production, using one Ethernet path for power, control and video while feeding two destinations.
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Live Production
QuickLink StudioEdge adds WhatsApp and Webex guest contribution
The remote-contribution platform widens its conferencing inputs and extends Teams support for multiple callers, screen sharing and room systems.
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Live Production
Euro-TV rebuilds alpine OB switching around Sony MLS-X1
The Austrian production company has installed a modular MLS-X1 and ICP-X7000 control panels in its largest truck, adding HDR/SDR conversion and network-based control.
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Live Production
Bundesliga puts an AI-controlled PTZ camera into the Supercup host feed
A Studio Automated football model drove an Egripment HotHead 3 as a live tactical source inside Sportcast's 28-camera production for Dortmund versus Bayern Munich.
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Live Production
NEP standardises European OB production around hybrid ST 2110 unit
EU-01 combines UHD HDR ST 2110, NEP Platform orchestration and conventional broadcast hardware in a 24-camera truck expandable to 48.
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Live Production
QuickLink brings 4K60 contribution to StudioCall and StudioEdge
The IBC demonstration combines native UHD remote contribution with AI upscaling for common conferencing sources.
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Live Production
TRP tests bonded 5G and LEO links for rain-hit remote racing production
The as-live trial used Appear X Platform hardware and SRT to move race feeds where fixed contribution links are limited.
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Live Production
Sprolink MC-NDI combines eight-channel IP switching, ISO recording and replay
The integrated live-production unit targets compact sports and entertainment crews with hybrid inputs, replay, graphics and recording in one chassis.
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Live Production
FOR-A links CuePilot planning directly to switching and graphics
A new integration turns a pre-production CuePilot timeline into live commands for MixBoard switching, LiveBoard graphics and media playback.
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Live Production
EVS previews software-defined replay and denser live processing
The IBC2026 roadmap extends replay beyond dedicated servers while connecting robotics, orchestration, asset workflows and open endpoint-status reporting.
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Live Production
BHV puts compact 4K SportsBox remote switcher into production
The 900-gram unit combines four camera inputs and returns a switched 4K60 4:2:2 feed over a single 5G or COFDM contribution path.
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Live Production
DMC prototype compresses mobile production into two servers
Broadcast Solutions is demonstrating a software-defined mobile unit built around Grass Valley AMPP, two Dell servers and a comparatively light network footprint.
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Live Production
NetOn.Live widens LiveOS production stack and adds OGraf workflows
The software-defined platform now presents more than 40 applications, with visual builders, Avid growing-file integration, open graphics and super-slow-motion tools.
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Live Production
SET Expo puts its official live coverage onto a connected cloud workflow
The event will connect show-floor contribution, remote guests, cloud switching, AI-assisted content work and multi-platform delivery.
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Live Production
Iberia eclipse flight sends four-camera coverage through Starlink and MediaHub
A TVU One contribution unit on an A321 XLR fed cloud distribution to more than 100 potential SRT or TVU Grid receivers.
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Live Production
Norsk Studio expands into playout, remote commentary and software probing
Three ready-made products extend the programmable live-video platform beyond custom workflow construction.
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Live Production
Falcon Play expands audio, LTC and Companion workflows ahead of beta
A new Falcon Play feature set brings multi-mixer audio control, stronger vision-mixer protection, LTC-driven automation and easier Companion connectivity into one production interface.
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Live Production
Falcon Play makes major live debut during Danish election coverage
A two-person production team used one Falcon Play computer to coordinate rundown, video, graphics and a 20-channel ATEM mixer during 7.5 hours of live election streaming.
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Live Production
Falcon Play supports lean ValgAmok election production
The Danish election programme paired Falcon Play automation with interactive graphics based on official live vote data, helping a compact crew deliver a flexible live show.
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Live Production
Grass Valley links K-Frame, replay and browser tools in one AMPP live stack
Grass Valley is bringing switcher control, replay, commentary and partner applications into a more tightly integrated AMPP production environment at IBC2026.
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Live Production
Ross Video signals broad IBC2026 launch across its live production stack
Ross will use IBC2026 to introduce new products while demonstrating routing, switching, graphics, robotics, replay, audio and newsroom workflows.
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Live Production
Haivision brings Makito ONE and four-modem Falkon X4 to IBC2026
The contribution lineup combines H.264, HEVC and JPEG XS transport with SDI, ST 2110 and bonded cellular options.
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Live Production
Sony hybrid sports system routes more than 90 live sources through the cloud
Sony combined on-premises production with AWS Elemental MediaConnect Router to handle a source count beyond its cloud switcher input limit.
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Live Production
SVT Neo recognised after software-defined Winter Olympics deployment
The EBU award winner delivered more than 800 hours across over 150 sports productions using standard IT infrastructure and modular software services.
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Live Production
LiveU and Panasonic LUMIX package a camera-to-cloud live workflow
Panasonic LUMIX cameras and control tools are being demonstrated with LiveU Solo PRO and LU800 contribution systems for mobile productions.
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Live Production
LiveU reports record IP contribution scale at the 2026 football championship
LiveU says 1,700 field units carried more than 31,000 live transmissions and 17,000 hours of coverage across the 104-match tournament.
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Live Production
Game Creek Video orders ten Grass Valley K-Frame switcher systems
The US mobile-production company is adding ten fully configured K-Frame systems over two years for large sports and entertainment productions.
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Live Production
AMPP Edge Live packages software production into Blackwell-powered appliances
Grass Valley has launched two on-premises AMPP Edge Live systems designed to run professional event and sports production workflows close to the signals.
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