Australian postproduction and VFX company KOJO says it transfers hundreds of terabytes each year, spanning large-format camera originals, dailies and final 4K masters. Its earlier workflow often placed that media on external hard drives or RAID systems and moved it physically between locations.
KOJO replaced much of that transport with Signiant Media Shuttle. During the European portion of the feature Jimpa, the service was used to receive terabytes of camera data across time zones, giving editorial and finishing teams access without waiting for a couriered drive.
Removing physical media reduces the risk of a shipment being delayed or lost, but the production problem does not disappear. Facilities still need enough uplink capacity, predictable transfer windows, checksum verification, storage headroom and clear ownership when files arrive incomplete or late.
The source is a customer case study and does not publish measured transfer rates, internet paths, encryption configuration or cost. It confirms operational use at significant scale but does not provide an independent comparison with other accelerated-transfer services.
