Deerstalker Pictures used Blackmagic Design cameras and DaVinci Resolve Studio to produce two 25-minute episodes of its comedy spin-off series Epic NPC Man: Nice Day for Fishing.
An URSA Mini Pro 4.6K G2 served as the main camera, while a PYXIS 6K covered second angles, tighter spaces and situations handled by a smaller crew. The production used high-resolution and high-frame-rate capture where needed and carried the material through editorial, colour and visual effects in Resolve.
Resolve tools included Magic Mask and Cinematic Haze alongside conventional compositing and finishing. The workflow is relevant to small production teams because it keeps acquisition choices and post decisions within one colour-managed environment instead of creating separate pipelines for every department.
The account is a manufacturer-led case study rather than an independent comparison. It does not publish codec settings, storage volume, backup design, render performance or delivery specifications. The value is therefore in the documented workflow, not a claim that the camera combination is optimal for every long-form web production.
